Issues : Changed phrase length

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b. 5

composition: Op. 35, Sonata in B♭ minor, Mvt I

Double bar-line in GC

Single bar-line in FE (→EE1)

Repeat sign in GE & EE2

..

In GC the bars are separated with a double bar line, which is probably an arbitrary change introduced by the copyist (Chopin would rarely insert double bar lines, while changing the tempo or key, however, it was a commonly used practice). In GE the double bar line was arbitrarily changed to a repeat sign. It is not certain whether it is a revision or a mistake caused by a misinterpretation of the manuscript. The change, depriving the repetition of the exposition of its opening motif, was adopted in EE2 and in a vast majority of subsequent collective editions. In the main text we give a single line of FE (→EE1), which almost certainly corresponds to the notation of [A]. One can consider an addition of a slur in the L.H. in this place in the proofreading of FE3 to be another argument confirming the correctness of the text of FE – if Chopin had wanted to omit Grave at the repetition, he would have most probably noticed the absence of a repeat sign, necessary in this situation. 

category imprint: Differences between sources

issues: GE revisions , Changed phrase length