![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Authentic corrections of FE
b. 1-2
|
composition: Op. 35, Sonata in B♭ minor, Mvt I
..
The slur embracing the bass motif, visible in GC (→GE), was probably overlooked by the engraver of FE1 (→FE2→EE1). It was then added in the proofreading of FE3 (→FE4), probably as a result of Chopin's intervention. The sign was also added in EE2.
category imprint: Differences between sources issues: EE revisions , Errors in FE , Authentic corrections of FE |
|||
b. 4-5
|
composition: Op. 35, Sonata in B♭ minor, Mvt I
..
The slur over the part of the L.H. is undoubtedly a Chopin addition introduced in the proofreading of FE3 (→FE4). category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
|||
b. 23
|
composition: Op. 35, Sonata in B♭ minor, Mvt I
..
The natural raising d category imprint: Differences between sources issues: Errors in FE , Errors in EE , Errors in GE , Authentic corrections of FE , Errors of GC |
|||
b. 28
|
composition: Op. 35, Sonata in B♭ minor, Mvt I
..
In FE1 (→FE2) the top note of the last chord in the R.H. is a b category imprint: Differences between sources issues: Errors in FE , Authentic corrections of FE |
|||
b. 34-36
|
composition: Op. 35, Sonata in B♭ minor, Mvt I category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |