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Issues : EE revisions
b. 131
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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There is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , Errors in GE , GE revisions , Omission of current key accidentals , Inaccuracies in GC |
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b. 133-136
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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According to us, the differences in the marked range of the cresc. - - - indication are of a random character. In particular, the absence of dashes in bar 136 could have resulted in FE from difficulties in a legible distribution of all elements of the notation of [A] (cf. the notation of GC) or in FE itself, whereas according to Chopin's intention, crescendo was supposed to be valid most probably until category imprint: Interpretations within context; Differences between sources issues: EE revisions , Inaccuracies in GE , GE revisions |
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b. 136-137
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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In the main text we add cautionary flats before e category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 136
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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We add a cautionary category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 137-138
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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In GC and FE, which certainly reproduce the notation of [A], the naturals before the g and d notes are written only in the extreme voices – next to the bottom notes in the L.H. and top in the R.H. An exception are the D1-D octaves (both notes provided with naturals, although in FE1-FE3 only in bar 138) and the devoid of category imprint: Interpretations within context; Differences between sources issues: EE revisions , Inaccuracies in FE , GE revisions , FE revisions , Inaccuracies in GC |