Issues : Inaccuracies in GC

b. 137

composition: Op. 35, Sonata in B♭ minor, Mvt I

2 different slurs in GC

No 2nd slur in FE1

2 different slurs in FE2 (→EE,FE3FE4)

2 half-bar-long slurs in GE

..

The inconsistent with the bar stucture L.H. slurring in GC as well as the lack of the second L.H. slur in FE1 are almost certainly mistakes by the copyist and the engraver. On the other hand, the slur added in FE2 (→EE,FE3FE4) is probably inaccurate, as evidenced by the slurring of the subsequent bars. In the main text, we give the probable reconstruction of the slurs in [A], aptly guessed in GE.

category imprint: Differences between sources

issues: Errors in FE , Inaccuracies in FE , GE revisions , FE revisions , Inaccuracies in GC

b. 137-138

composition: Op. 35, Sonata in B♭ minor, Mvt I

Pedal change in GC

No pedal change in FE (→EE)

Pedal change in GE

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We adopt the pedalling from FE in the main text, for it is consistent with the pedalling of the subsequent bars. The placement of the  sign in GE, although apt from a pianistic point of view, is nevertheless a probable arbitrariness of the engraver.

category imprint: Differences between sources

issues: Inaccuracies in GE , Inaccuracies in GC

b. 143-144

composition: Op. 35, Sonata in B♭ minor, Mvt I

2 times g2 in the sources

2 times g2 suggested by the editors

2 times g2 precised by the editors

g2 & g2 – possible interpretation

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The source text, when interpreted literally, features gnotes on the 4th quaver of both bars. However, the appearance of gnotes both directly before these bars and after them makes an accidental oversight of naturals before one or both of these notes likely. Therefore, we suggest three, according to us justifiable, versions clarifying the source text.

category imprint: Interpretations within context

issues: Inaccuracies in FE , Omission of current key accidentals , Inaccuracies in GC

b. 145-146

composition: Op. 35, Sonata in B♭ minor, Mvt I

..

GC and FE1 (→FE2FE3) lack seven naturals before the notes, which were previously already correctly written in another octave. These patent inaccuracies do not impede the interpretation and they were completed in the subsequent sources to a varied extent. It is only GE that has the correct text. Similarly in the next bars.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , FE revisions , Inaccuracies in GC

b. 147-148

composition: Op. 35, Sonata in B♭ minor, Mvt I

..

GC and FE1 (→FE2FE3) lack six naturals before the notes which were previously already correctly written in another octave, which was completed in the subsequent sources to a varied extent. The fully correct text is included only in GE2 and EE2 (see also the note in bar 148). Similarly in the adjacent bars.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , FE revisions , Inaccuracies in GC