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Issues : Inaccuracies in GE
b. 96-97
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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In b. 96, at the end of the line, the slur of GE1 suggests continuation; however, there is no ending thereof in b. 97. Therefore, we reproduce it – like in GE2 – as a slur reaching only the last chord in b. 96. In the main text we give the compliant and unequivocal notation of GC and FE (→EE). category imprint: Graphic ambiguousness; Differences between sources |
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b. 101-104
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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The pedalling of the last two chords of the exposition is marked in the sources inaccurately or erroneously. In FE there is no category imprint: Differences between sources issues: EE revisions , Inaccuracies in GE , Inaccuracies in FE , GE revisions , Errors of GC |
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b. 104-105
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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The double bar line is most probably a routine addition of the copyist. Its absence in GE is most probably a mistake. category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in GC |
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b. 117
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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In GC the category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , GE revisions , Inaccuracies in GC |
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b. 125-126
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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In GE, the L.H. slurs encompass the entire bars. It possibly results from a misinterpretation of the hardly legible writing of GC (intermittent ink flow). category imprint: Differences between sources issues: Inaccuracies in GE |