![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Authentic corrections of EE
b. 157-160
|
composition: Op. 35, Sonata in B♭ minor, Mvt I
..
In both sources based on [A] – GC and FE – the pedalling is written certainly (GC) or probably (FE) inaccurately. What is more, in each of the sources the notation is different, which impedes finding out what Chopin's intention concerning this issue was (it is possible that the notation of [A] was inaccurate or unclear, e.g., as a result of corrections). In the main text we give the version of EE, which can be a result of the Chopinesque proofreading of the base text to this edition and which is analogous to the undoubtedly authentic pedalling of an identical phrase in bars 153-156. category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in FE , Inaccuracies in GC , Authentic corrections of EE |
||||||||
b. 172
|
composition: Op. 35, Sonata in B♭ minor, Mvt I
..
FE has no category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Authentic corrections of EE |
||||||||
b. 185-188
|
composition: Op. 35, Sonata in B♭ minor, Mvt I
..
The slurring of particular sources seems to convey Chopin's idea only approximately. In the main text, we suggest an interpretation of the slurs of GC based on the slurs written in a more precise manner in analogous bars 57-60. See also bar 189. category imprint: Differences between sources issues: Errors in FE , GE revisions , Authentic corrections of FE , Inaccuracies in GC , Authentic corrections of EE |
||||||||
b. 185
|
composition: Op. 35, Sonata in B♭ minor, Mvt I
..
FE1 (→FE2) features an E category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Authentic corrections of FE , Authentic corrections of EE |
||||||||
b. 199-200
|
composition: Op. 35, Sonata in B♭ minor, Mvt I
..
It seems to be likely that no ties sustaining the g2-g3 octave in GC (→GE) and FE is only a result of Chopin's oversight in [A] – cf. the note to bar 197. The ties were probably added by Chopin in the base text to EE. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of EE |