b. 118
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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After the sign in bar 117, the sources do not include a asterisk. In the main text we suggest adding the sign after similar bar 111. category imprint: Editorial revisions issues: No pedal release mark |
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b. 120
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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GC and FE (→EE1) do not include an accidental before the bass note, which makes it to be interpreted as a B. The version, present certainly also in [A], is given by us in the main text, with a cautionary . The version of GE, in spite of being most probably a result of a routine editorial revision (until this place the development is maintained in sharp keys and B is present also in the next bar), may be, however, considered an alternative authentic version in this case – according to Mikuli, Chopin added a corresponding in a copy of his pupil, Friederike Müller-Streicher (information from the Mikuli edition of Sonatas, Kistner, Leipzig 1879). category imprint: Differences between sources; Corrections & alterations issues: GE revisions , Authentic post-publication changes and variants |
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b. 120
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composition: Op. 35, Sonata in B♭ minor, Mvt I category imprint: Differences between sources issues: EE revisions , Errors in EE |
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b. 121-123
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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In GC, in the part of the L.H., only the top notes of the octaves were written. The bottom ones were written in an abbreviated manner with the help of the con 8va - - - indication. category imprint: Differences between sources; Source & stylistic information issues: Abbreviated octaves' notation |
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b. 121-123
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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Chopin added the over two-bar-long hairpin in the proofreading of FE3 (→FE4). It was also repeated in EE2. Similarly in bars 129-131. category imprint: Differences between sources issues: Authentic corrections of FE |