



Rhythm
b. 56
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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In the sources, the chord at the beginning of the bar is written monophonically, in spite of varying rhythmic values. Chopin, striving for a maximal simplicity of notation, would often use such notation (cf. e.g. the Etudes Op. 10, in E category imprint: Editorial revisions |
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b. 67
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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Incorrectly placed ties in GE – no tie to a category imprint: Differences between sources issues: Errors in GE |
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b. 71-72
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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The absence of the ties sustaining the b category imprint: Differences between sources issues: Errors of GC |
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b. 79
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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We give priority to the version with the tie, as in the entire section embracing bars 65-80, the middle notes of the octave chords are struck only at the beginning or in the middle of the bar. Authenticity of any of the versions is not entirely certain – both an oversight of the tie by the copyist and a mistake of the engraver of FE1, who, e.g., overlooked the tie between the previous crotchets, are also possible. category imprint: Differences between sources issues: Errors in FE , FE revisions , Inaccuracies in GC |
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b. 80
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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The authenticity of the tie sustaining a category imprint: Differences between sources issues: EE revisions , Errors in FE |