Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
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Op. 35, Sonata in B♭ minor, Mvt I
In the main text we include written in GC (→GE) and then repeated in EE2. No sign in FE (→EE1) is probably an accident, as it seems to be highly unlikely that Chopin wanted to leave the idea of emphasising with a dynamic sign a place in which the melodic climax combines with a harmonic breakthrough (reaching the dominant in the general key). Cf. notes on
signs in bars 153-156 and 158-160.
Compare the passage in the sources »
category imprint: Differences between sources
notation: Verbal indications