Page: 
Source: 
p. 5, b. 130-160
p. 1, b. 1-30
p. 2, b. 31-58
p. 3, b. 59-94
p. 4, b. 95-129
p. 5, b. 130-160
p. 6, b. 161-193
p. 7, b. 194-224
p. 8, b. 225-252
p. 9, b. 253-287
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GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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  b. 131

f in GE, possible interpretation of GC & FE1 (→FE2FE3,EE1)

e in FE4 & EE2

GC and the previous impressions of FE (→EE) include the erroneous as the top bottom note in the chord on the 2nd crotchet. The mistake was revised in GE, adding a  before this note, which has to be considered to be justified. However, the comparison with analogous bar 171, and, above all, the change introduced – probably by Chopin – in FE4 convinces that the mistake concerned the pitch and not the missing . The version with e was introduced also in EE2, most probably on the basis of FE4. According to us, both here and in the previous bar, we are dealing with Chopin's mistakes in [A].

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources

issues: EE revisions, Errors in FE, GE revisions, Authentic corrections of FE, Errors of GC

notation: Pitch

Missing markers on sources: FE1, FE2, FES, FED, FESch, FE3, FE4, GE1, GE2, EE1, EE2