mUltimate Chopin

Op. 35, Sonata in B♭ minor, Mvt II

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Page: 
Source: 
p. 4, b. 95-129
p. 1, b. 1-30
p. 2, b. 31-58
p. 3, b. 59-94
p. 4, b. 95-129
p. 5, b. 130-160
p. 6, b. 161-193
p. 7, b. 194-224
p. 8, b. 225-252
p. 9, b. 253-287
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GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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  b. 118-120

c2 tied in GC & FE (→EE)

c2 repeated in GE

Chopin manner of writing ties clearly indicates that the ties combined in Chopin's mind with the note being added, which, due to this fact, was not struck. When interpreted in this way, the notation of GC means sustaining c2 through four bars, as each of the •/• signs replaces the c2 minim together with the preceding it tie. The version of GE is, therefore, a result of misunderstanding of GC.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Errors in GE

notation: Rhythm

Missing markers on sources: FE1, FE2, FES, FED, FESch, FE3, FE4, GE1, GE2, EE1, EE2
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