Page: 
Source: 
p. 4, b. 95-129
p. 1, b. 1-30
p. 2, b. 31-58
p. 3, b. 59-94
p. 4, b. 95-129
p. 5, b. 130-160
p. 6, b. 161-193
p. 7, b. 194-224
p. 8, b. 225-252
p. 9, b. 253-287
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GC - Gutmann's Copy
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FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
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FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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FE - French edition
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FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
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FED - Dubois copy
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  b. 118-120

g in chords in GC (→GE), FE3 (→FE4), FESch & EE2

a in FE1 (→FE2EE1)

The version of FE1 (→FE2EE1) is probably the original version, as it was initially written also in GC, in which it was corrected, probably by Chopin. Interestingly, in GC also the middle crotchets in the R.H. (from f1 to e1) were corrected, which in FE, however, are printed right away in the final version. Therefore, it cannot be excluded that seeing identical chords in the L.H., the copyist considered the crotchets in the R.H. also to be identical. It is even more likely considering the fact that in the manuscrpts only the first of the three bars was written out with notes. The version with g was written also in FESch.

Compare the passage in the sources »

category imprint: Differences between sources; Corrections & alterations

issues: Annotations in teaching copies, Authentic corrections of FE, Alterations in GC, Authentic corrections in GC, Annotations in FESch

notation: Pitch

Missing markers on sources: FE1, FE2, FES, FED, FESch, FE3, FE4, GE1, GE2, EE1, EE2