mUltimate Chopin

Op. 35, Sonata in B♭ minor, Mvt II

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Page: 
Source: 
p. 1, b. 1-30
p. 1, b. 1-30
p. 2, b. 31-58
p. 3, b. 59-94
p. 4, b. 95-129
p. 5, b. 130-160
p. 6, b. 161-193
p. 7, b. 194-224
p. 8, b. 225-252
p. 9, b. 253-287
Main text
Main text
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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  b. 26-27

Two  signs in GC (→GE)

Two-bar  in FE (→EE)

One  sign in FE (→EE) is most probably an arbitrary decision of the engraver of FE. It is proved by bars 214-215, in which all sources have a one-bar-long compatible , which in the manuscripts, hence also in the base text to FE, was marked only as repetition of the discussed bars.

See b. 5-6

Compare the passage in the sources»

category imprint: Differences between sources

issues: FE revisions, Hairpins denoting continuation

notation: Articulation, Accents, Hairpins

Missing markers on sources: FE1, FE2, FES, FED, FESch, FE3, FE4, GE1, GE2, EE1, EE2
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