Page: 
Source: 
p. 1, b. 1-30
p. 1, b. 1-30
p. 2, b. 31-58
p. 3, b. 59-94
p. 4, b. 95-129
p. 5, b. 130-160
p. 6, b. 161-193
p. 7, b. 194-224
p. 8, b. 225-252
p. 9, b. 253-287
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GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
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EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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  b. 21-25

Articulation marks in bar 21 in GC (→GE)

No marks in FE

Articulation marks in 3 bars in EE

The articulation signs – dots and accents – in bar 21 could have been added in GC (→GE) by Chopin. They are probably to be considered to be valid also in the subsequent similar bars, namely 23 and 25-27. The idea was partially implemented in EE, in which the same indications were added in bars 21, 23 and 25, which can be ascribed to Chopin's intervention in the base text to this edition. See also bars 210-213.

Compare the passage in the sources »

category imprint: Differences between sources

issues: Authentic corrections in GC, Authentic corrections of EE

notation: Articulation, Accents, Hairpins

Missing markers on sources: FE1, FE2, FES, FED, FESch, FE3, FE4, GE1, GE2, EE1, EE2