Page: 
Source: 
p. 4, b. 65-84
p. 1, b. 1-22
p. 2, b. 23-42
p. 3, b. 43-64
p. 4, b. 65-84
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GC - Gutmann's Copy
Amar - Autograph fragment of March
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
FE5 - Second French edition
GE - German edition
GE1 - First German edition
GE2mar - Second German edition of March
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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No differences
GC - Gutmann's Copy
Amar - Autograph fragment of March
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
FE5 - Second French edition
GE - German edition
GE1 - First German edition
GE2mar - Second German edition of March
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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  b. 73-82

a1 & f1 in chords in GC (→GE1) & FE (→EE1)

a1 (with cautionary ) & f1 in GE2mar (→GE2) & EE2

No a1 & f1 in chords in FES

FES deleted the top notes of the chords in bars 73-74 and 81-82, most probably in order to facilitate performance to the pianists with small hands. See bars 19-20.
GE2mar (→GE2) and EE2 added a cautionary  before the first a1 in bars 73 and 81.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Annotations in teaching copies, Annotations in FES

notation: Pitch

Missing markers on sources: FESch, FES, FED, FE2, FE3, FE4, GE1, GE2, EE1, EE2, GC, FE5, GE2mar, Amar