Page: 
Source: 
p. 1, b. 1-22
p. 1, b. 1-22
p. 2, b. 23-42
p. 3, b. 43-64
p. 4, b. 65-84
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Main text
GC - Gutmann's Copy
Amar - Autograph fragment of March
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
FE5 - Second French edition
GE - German edition
GE1 - First German edition
GE2mar - Second German edition of March
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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Graphic ambiguousness
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Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
GC - Gutmann's Copy
Amar - Autograph fragment of March
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
FE5 - Second French edition
GE - German edition
GE1 - First German edition
GE2mar - Second German edition of March
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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  b. 11-13

Pedalling in bar 11 in GC (literal reading)

Pedalling in bars 11-13 in GC (possible interpretation) & FE (→EE)

No markings in GE1 (→GE2mar)

Pedalling in bars 11-12 in GC (contextual interpretation) & GE2

The used by Chopin in [A] (→GC) abbreviated notation of bars 12-13 (both in the part of the L.H., only the first one in the part of the R.H.) raises doubts concerning the pedalling issues. According to us, it seems to be most justified to adopt that the indications are to be in bars 11-12, but not in bar 13.

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category imprint: Interpretations within context; Differences between sources

issues: Errors in GE, GE revisions

notation: Pedalling

Missing markers on sources: FESch, FES, FED, FE3, FE4, GE1, GE2, EE2, FE5, GE2mar, Amar