mUltimate Chopin

Op. 35, Sonata in B♭ minor, Mvt III

Text Compare Notes Sources Description
Page: 
Source: 
p. 3, b. 43-64
p. 1, b. 1-22
p. 2, b. 23-42
p. 3, b. 43-64
p. 4, b. 65-84
Main text
Main text
GC - Gutmann's Copy
Amar - Autograph fragment of March
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
FE5 - Second French edition
GE - German edition
GE1 - First German edition
GE2mar - Second German edition of March
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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Graphic ambiguousness
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Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
GC - Gutmann's Copy
Amar - Autograph fragment of March
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
FE5 - Second French edition
GE - German edition
GE1 - First German edition
GE2mar - Second German edition of March
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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Important
Main
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  b. 46

Fingering written into FESch

No teaching fingering

Same as in bar 31, the fingering in the L.H., which may come from Chopin, was written in FESch.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Annotations in teaching copies, Annotations in FESch

notation: Fingering

Missing markers on sources: FESch, FES, FED, FE3, FE4, GE1, GE2, EE1, EE2, FE5, GE2mar, Amar
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