mUltimate Chopin

Op. 35, Sonata in B♭ minor, Mvt III

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Page: 
Source: 
p. 3, b. 43-64
p. 1, b. 1-22
p. 2, b. 23-42
p. 3, b. 43-64
p. 4, b. 65-84
Main text
Main text
GC - Gutmann's Copy
Amar - Autograph fragment of March
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
FE5 - Second French edition
GE - German edition
GE1 - First German edition
GE2mar - Second German edition of March
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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Graphic ambiguousness
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Notation
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
GC - Gutmann's Copy
Amar - Autograph fragment of March
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
FE5 - Second French edition
GE - German edition
GE1 - First German edition
GE2mar - Second German edition of March
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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  b. 58

No ornament in GC (→GE)

Grace note in FE (→EE)

Our variant suggestion

The recapitulation of the initial section of Marche was not written out with notes in the Stichvorlage manuscripts – [A] (→GC) – hence the doubts arising in the text of the first section are present here too. According to us, the inclusion of the grace note can be left at the discretion of the performer.

See b. 4

Compare the passage in the sources»

category imprint: Differences between sources; Editorial revisions

issues:

notation: Rhythm

Missing markers on sources: FESch, FES, FED, FE2, FE3, FE4, GE1, GE2, EE1, EE2, GC, FE5, GE2mar, Amar
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