mUltimate Chopin

Op. 35, Sonata in B♭ minor, Mvt III

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Page: 
Source: 
p. 4, b. 65-84
p. 1, b. 1-22
p. 2, b. 23-42
p. 3, b. 43-64
p. 4, b. 65-84
Main text
Main text
GC - Gutmann's Copy
Amar - Autograph fragment of March
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
FE5 - Second French edition
GE - German edition
GE1 - First German edition
GE2mar - Second German edition of March
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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GC - Gutmann's Copy
Amar - Autograph fragment of March
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
FE5 - Second French edition
GE - German edition
GE1 - First German edition
GE2mar - Second German edition of March
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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  b. 69

in GC (→GE) & FE1 (→FE2→EE1)

in FE3 (→FE4,FE5) & EE2

Chopin changed  to , while proofreading FE3 (→FE4,FE5). Together with the crescendo added in bars 56-60 the change indicates a different – enhanced or more contrasted – shaping of dynamics in the recapitulation of Marche. See also bars 61-62. 

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations

issues: EE revisions, Authentic corrections of FE

notation: Verbal indications

Missing markers on sources: FESch, FES, FED, FE2, FE3, FE4, GE1, GE2, EE1, EE2, GC, FE5, GE2mar, Amar
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