Page: 
Source: 
p. 3, b. 43-64
p. 1, b. 1-22
p. 2, b. 23-42
p. 3, b. 43-64
p. 4, b. 65-84
FESch - Scherbatoff Copy
Main text
GC - Gutmann's Copy
Amar - Autograph fragment of March
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
FE5 - Second French edition
GE - German edition
GE1 - First German edition
GE2mar - Second German edition of March
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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Graphic ambiguousness
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Source & stylistic information
Notation
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
GC - Gutmann's Copy
Amar - Autograph fragment of March
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
FE5 - Second French edition
GE - German edition
GE1 - First German edition
GE2mar - Second German edition of March
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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Important
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copy link PDF FESch - Scherbatoff Copy


  b. 47-54

In [A] (→GC) the return of the first period of the middle section of Marche is written in an abbreviated manner as its repetition. Chopin wrote here only bar lines and subsequent letters of alphabet r-z (without 'w').

Compare the passage in the sources »

category imprint: Source & stylistic information

issues: Abbreviated notation of A

notation: Shorthand & other

Missing markers on sources: FESch, FES, FED, FE3, FE4, GE1, GE2, EE1, EE2, FE5, GE2mar, Amar