Issues : Annotations in teaching copies

b. 1

composition: Op. 35, Sonata in B♭ minor, Mvt III

Fingering written into FES

No teaching fingering

..

The fingering was probably added by Chopin.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FES

b. 16

composition: Op. 35, Sonata in B♭ minor, Mvt III

Fingering written into FES

No teaching fingering

..

In the main text we include the fingering written in FES, which may come from Chopin.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FES

b. 18-19

composition: Op. 35, Sonata in B♭ minor, Mvt III

Fingering written into FED

No teaching fingering

..

The double use of the 1st finger at the end of the bars was indicated in FED probably by Chopin.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 19-20

composition: Op. 35, Sonata in B♭ minor, Mvt III

a1 & f1 in chords in GC (→GE1) & FE (→EE1)

a1 (+ cautionary ) & f1 in GE2mar (→GE2) & EE2

No a1 & f1 in chords in FES

..

The deletions of the top notes of the chords were written in FES most probably by Chopin or on the basis of his indications. It is most probably a facilitation for pianists with small hands, intended to be used at amateur performances. Due to this fact, we do not include this version in the main text. Similar entries are in bars 73-74 and 81-82.

In bar 19 in GE2mar (→GE2) and EE2 a cautionary  before the first a1 was added – cf. the note below.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FES

b. 20

composition: Op. 35, Sonata in B♭ minor, Mvt III

Fingering written into FES

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FES