Issues : Annotations in FESch

b. 28

composition: Op. 35, Sonata in B♭ minor, Mvt III

..

Similarly as in bar 20, Chopin's mistake in [A] caused that the correct notation of the trill appeared in the editions – despite the proofreading of FE3 – only in GE2 and EE2. The mistake was corrected in all pupil's copies.

category imprint: Interpretations within context; Differences between sources

issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FED , Errors in EE , Errors in GE , GE revisions , Annotations in FES , Authentic corrections of FE , Annotations in FESch

b. 31-34

composition: Op. 35, Sonata in B♭ minor, Mvt III

Fingering written into FESch

No teaching fingering

..

The fingering in the L.H. in bars 31 and 34, which may come from Chopin, was written in FESch. Similarly in bars 33, 35-36, 39-40, 43 and 46. Cf. the Nocturne in C minor, Op. 27 No. 1, bars 13-14.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FESch

b. 33

composition: Op. 35, Sonata in B♭ minor, Mvt III

Fingering written into FESch

No teaching fingering

..

Same as in bar 31, the fingering in the L.H., which may come from Chopin, was written in FESch.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FESch

b. 35

composition: Op. 35, Sonata in B♭ minor, Mvt III

Fingering written into FESch

No teaching fingering

..

Same as in bar 31, the fingering of the L.H., which may come from Chopin, was written in FESch.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FESch

b. 36

composition: Op. 35, Sonata in B♭ minor, Mvt III

Fingering written into FESch

No teaching fingering

..

Same as in bar 31, the fingering in the L.H., which may come from Chopin, was written in FESch.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FESch