Issues : Authentic corrections in GC
|
b. 4
|
composition: Op. 35, Sonata in B♭ minor, Mvt III
..
It is not clear whether Chopin wanted to have a grace note already in this bar – it appears without any doubts in bars 10, 22, 30 and analog. The ornament was deleted – most probably by Chopin – in GC, yet it remained in FE despite a few corrections and visible traces of development in pupil's copies. Due to these reasons, in the main text we suggest a variant solution. category imprint: Differences between sources; Editorial revisions |
|||||||||||
|
b. 14-16
|
composition: Op. 35, Sonata in B♭ minor, Mvt III
..
The slur of GC, started on the last beat of bar 14, is not continued in bar 15 (on a new line). The simplest interpretation of this notation – as a continuous slur – was performed in GE. The version, analogous to the slur embracing the next phrase, may be considered to be an equal variant to the main text, suggested by us, based on a comparison of this place with its repetitions in bars 22-24, 68-70 and 76-78. The analysis leads to the conclusion that the ending of the slur in bar 14 and related to it absence of the slur at the transition between bars 14 and 15 in FE (→EE) and the beginning of the slur in bar 15 from the 1st crotchet in GC are certainly or highly likely non-authentic elements. category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , Corrections in A , GE revisions , Inaccuracies in GC , Authentic corrections in GC |
|||||||||||
|
b. 14
|
composition: Op. 35, Sonata in B♭ minor, Mvt III
..
The accent in GC was probably added by Chopin. In GE, clearly against the manuscript, it was assigned to the L.H. and it was given a shape of a common, short accent. Such placed sign was repeated in EE2. category imprint: Differences between sources; Corrections & alterations issues: Long accents , EE revisions , Inaccuracies in GE , Authentic corrections in GC |
|||||||||||
|
b. 16
|
composition: Op. 35, Sonata in B♭ minor, Mvt III
..
At the end of the bar, in the part of the L.H., Chopin deleted the category imprint: Source & stylistic information issues: Alterations in GC , Authentic corrections in GC |
in