Issues : Errors of GC

b. 3

composition: Op. 35, Sonata in B♭ minor, Mvt III

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GC (→GE1) includes an erroneous instead of G in the last chord in the L.H. The unquestionable in this context mistake was corrected in GE2mar (→GE2). Similarly in bar 57.

category imprint: Interpretations within context; Differences between sources

issues: Errors in GE , GE revisions , Errors of GC

b. 7-8

composition: Op. 35, Sonata in B♭ minor, Mvt III

Dotted rhythm in GC (→GE)

Quavers in FE (→EE)

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It is hard to state how the difference in the rhythm on the 1st beat of the bar occurred. The dotted rhythm in GC (→GE) seems to be a mistake of the copyist – the text is written uniformly, moreover, only bar 7 is written out with notes, as a result of which one, possible, mistake could have contributed to the change of the rhythm in both bars. On the other hand, Chopin's proofreading cannot be entirely excluded (a similar situation appears in Allegro de Concert, Op. 46, bar 17). In this situation, in the main text we give the version of FE (→EE), compatible with the unquestionable rhythm of analogous bars 11-12. Rhythmic variants of this type are to be found in numerous works by Chopin.

category imprint: Differences between sources

issues: Errors of GC , Dotted or even rhythm

b. 16

composition: Op. 35, Sonata in B♭ minor, Mvt III

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In [A] (→GC,FE) Chopin overlooked the bass clef. The sign was added in GE and EE. Similarly in all repetitions of this place.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , GE revisions , Errors of A , Errors of GC

b. 18

composition: Op. 35, Sonata in B♭ minor, Mvt III

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In GC (→GE1) and FE there is no  raising g2 to g2. The frequently encountered in Chopin's works oversight was corrected in EE and GE2mar (→GE2). Similarly in bars 26, 72 and 80.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , Errors in GE , GE revisions , Omission of current key accidentals , Errors of A , Last key signature sign , Errors of GC

b. 20

composition: Op. 35, Sonata in B♭ minor, Mvt III

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The correct notation of the trill in the 1st half of this bar and all its repetitions – bars 28, 74 and 82 – appeared in the sources (not including pupil's copies) only several years after the publication of the Sonata, in EE2 and GE2. The mistake was committed by Chopin, who in [A] (→GCGE1GE2mar,→FE1FE2EE2) wrote the trill minim as a G (with a cautionary ). The error was noticed in the proofreading of FE3 (→FE4,FE5), however, at the time of performing the correction, another mistake was committed, by moving the note mechanically together with the preceding it flat, which resulted in an F. The correct text was marked in all pupil's copies.
A similar mistake, consisting in writing the top second of the main note of the trill instead of the main one, from which the trill starts in this context, is to be find also in, e.g., the Bolero in A minor, Op. 19, bar 187.

In EE there is also no wavy line after the trill.

category imprint: Interpretations within context; Differences between sources; Corrections & alterations

issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FED , Errors in EE , Errors resulting from corrections , Errors in GE , GE revisions , EE inaccuracies , Errors of A , Annotations in FES , Authentic corrections of FE , Errors of GC