Issues : Errors in GE

b. 57

composition: Op. 35, Sonata in B♭ minor, Mvt III

..

Same as in bar 3, GC (→GE1) has an erroneous instead of G in the last chord in the L.H.

category imprint: Interpretations within context; Differences between sources

issues: Errors in GE , GE revisions

b. 65-68

composition: Op. 35, Sonata in B♭ minor, Mvt III

Pedalling in bar 65 in GC (literal reading)

Pedalling in bars 65-67 in GC (possible interpretation→GE1)

Pedalling in bars 65-68 in FE (→EE)

No markings in GE2mar

Pedalling in bars 11-12 in GC (contextual interpretation) & GE2

..

Due to the abbreviations used in the manuscripts (in bars 12-13) in the notation of bars 66 and 67, it is not clear in how many bars Chopin wanted to mark the pedalling. The possibilities of interpretation of the notation of [A], conveyed most probably by GC, were discussed in the first section of Marche – see bars 11-13. As far as the editions are concerned, only GE2mar and GE2 repeated the version from bars 11-14 here (different ones). FE (→EE) includes pedaling in up to four bars, which is certainly a mistake (cf. bar 68), while GE1 presents one of possible interpretations of GC.

category imprint: Interpretations within context; Differences between sources

issues: Errors in FE , Errors in GE , GE revisions

b. 70

composition: Op. 35, Sonata in B♭ minor, Mvt III

 in GC

 in FE (→EE)

No sign in GE1

 in GE2mar (→GE2)

..

The  signs in GC and FE may be considered to be equal variants. Due to the reasons discussed in bar 16, in the main text we give the version of FE. The absence of the sign in GE1 is a clear mistake, inaccurately (arbitrarily) corrected in the subsequent GE.

category imprint: Interpretations within context; Differences between sources

issues: Scope of dynamic hairpins , Errors in GE , GE revisions

b. 72-80

composition: Op. 35, Sonata in B♭ minor, Mvt III

..

Same as in bars 18 and 26, in GC (→GE1) and FE (→EE1) there are no naturals raising g2 to g2 at the beginning of bars 72 and 80 (both or one). Chopin's oversight was corrected in EE1 in bar 72, whereas in EE2 and GE2mar (→GE2) in both bars.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , Errors in EE , Errors in GE , GE revisions , Omission of current key accidentals , Last key signature sign

b. 74

composition: Op. 35, Sonata in B♭ minor, Mvt III

..

Similarly as in bar 20, due to Chopin's mistake in [A], the correct notation of the trill appeared in the editions – despite the proofreading of FE3 – only in GE2 and EE2. The mistake was corrected in all pupil's copies.

category imprint: Interpretations within context; Differences between sources

issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FED , Errors in EE , Errors in GE , GE revisions , Annotations in FES , Authentic corrections of FE , Annotations in FESch