![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Annotations in teaching copies
b. 31
|
composition: Op. 35, Sonata in B♭ minor, Mvt III
..
The characteristic Chopin fingering comes from FES. category imprint: Differences between sources |
|||||
b. 33
|
composition: Op. 35, Sonata in B♭ minor, Mvt III
..
Same as in bar 31, the fingering in the L.H., which may come from Chopin, was written in FESch. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FESch |
|||||
b. 35
|
composition: Op. 35, Sonata in B♭ minor, Mvt III
..
Same as in bar 31, the fingering of the L.H., which may come from Chopin, was written in FESch. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FESch |
|||||
b. 36
|
composition: Op. 35, Sonata in B♭ minor, Mvt III
..
Same as in bar 31, the fingering in the L.H., which may come from Chopin, was written in FESch. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FESch |
|||||
b. 39-40
|
composition: Op. 35, Sonata in B♭ minor, Mvt III
..
Same as in bar 31, the fingering in the L.H., which may come from Chopin, was written in FESch. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FESch |