Page: 
Source: 
p. 4, b. 49-70
p. 1, b. 1-14
p. 2, b. 15-28
p. 3, b. 29-48
p. 4, b. 49-70
p. 5, b. 71-88
p. 6, b. 89-101
Main text
Main text
GE - German edition
GE1 - First German Edition
GE2 - Later impression of GE1
FE - French edition
FE1 - First French Edition
FED - Dubois's copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Later impression of EE2
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Graphic ambiguousness
Interpretations within context
Differences between sources
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Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
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Shorthand & other
Differences
No differences
GE - German edition
GE1 - First German Edition
GE2 - Later impression of GE1
FE - French edition
FE1 - First French Edition
FED - Dubois's copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Later impression of EE2
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Important
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  b. 53-64

One slur in GE

Inaccurate slurring in FE, contextual interpretation

Three slurs in EE

GE encompasses the L.H. part in bars 53-64 with one slur running through three lines of text. There is no reason to doubt that this notation conforms with the one in [A]. Most probably due to engraver's carelessness FE shows inaccuracies in slurs notation at the changes of systems. osources contain inaccuracies related to the beginnings and endings of the slur in the left hand extended over 3 systems within bars 53-64. We adopt the notation of GE as the one that seems the most justified from the musical point of view. 

Compare the passage in the sources »

category imprint: Differences between sources

issues: EE revisions, Inaccuracies in FE

notation: Slurs