Page: 
Source: 
p. 5, b. 15-28
p. 1
p. 2
p. 3
p. 4, b. 1-14
p. 5, b. 15-28
p. 6, b. 29-52
p. 7, b. 53-83
p. 8, b. 84-101
p. 9
p. 10
p. 11
p. 12
p. 13
p. 14
GE1 - First German Edition
Main text
GE - German edition
GE1 - First German Edition
GE2 - Later impression of GE1
FE - French edition
FE1 - First French Edition
FED - Dubois's copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Later impression of EE2
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GE - German edition
GE1 - First German Edition
GE2 - Later impression of GE1
FE - French edition
FE1 - First French Edition
FED - Dubois's copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Later impression of EE2
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copy link PDF GE1 - First German Edition


  b. 15-26

GE (→FEEE): semiquaver after the last note of the triplet

Notation in keeping with Chopin's understanding of this figure

In bar 15 in GE (→FE→EE), the semiquaver in the figure  was moved beyond the 3rd note of the triplet in the accompaniment, similarly in bars 17, 20-22, 24-26. This inauthentic notation, misleading for the performer, was used throughout the Nocturne.

See b. 5-13

Compare the passage in the sources »

category imprint: Interpretations within context

issues: GE revisions, Dotted rhythms and triplets

notation: Rhythm

Missing markers on sources: FES