Issues : GE revisions
b. 5-13
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composition: Op. 27 No 1, Nocturne in C# minor
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In bar 5 in GE (→FE→EE) the semiquaver in the figure is moved to after the third note of the triplet in the accompaniment, similarly in bars 9, 11 & 13. This inauthentic notation, misleading for the performer, was used throughout the Nocturne – cf. bars 15, 51, 88, 89. See the chapter devoted to this topic in: Jan Ekier, Introduction to the National Edition, Editorial Issues. category imprint: Interpretations within context issues: GE revisions , Dotted rhythms and triplets |
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b. 14
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composition: Op. 27 No 1, Nocturne in C# minor
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GE has E as the 6th quaver. Chopin corrected this error in FE (→EE). The correct version is also found in GE2 supplemented probably on the basis of [A]. category imprint: Differences between sources issues: Errors in GE , GE revisions , Authentic corrections of FE |
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b. 15-26
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composition: Op. 27 No 1, Nocturne in C# minor
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In bar 15 in GE (→FE→EE), the semiquaver in the figure was moved beyond the 3rd note of the triplet in the accompaniment, similarly in bars 17, 20-22, 24-26. This inauthentic notation, misleading for the performer, was used throughout the Nocturne. category imprint: Interpretations within context issues: GE revisions , Dotted rhythms and triplets |
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b. 17
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composition: Op. 27 No 1, Nocturne in C# minor
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The lowering d to d is missing in GE1. It is presumably an error, corrected by Chopin while profreading FE (→EE). The natural was also added in GE2 possibly according to [A]. category imprint: Differences between sources issues: Errors in GE , GE revisions , Authentic corrections of FE |
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b. 17
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composition: Op. 27 No 1, Nocturne in C# minor category imprint: Interpretations within context; Editorial revisions issues: GE revisions |