Rhythm
|
b. 2
|
composition: Op. 27 No 1, Nocturne in C# minor
..
We remove the digits 6 with which the sextuplets are marked in the sources also in this bar. This may be the result of a literal reading of the abbreviation that Chopin used in the autograph to mark the repetition in bar 2 of the rhythmic group from bar 1. category imprint: Editorial revisions |
|||||
|
b. 5-13
|
composition: Op. 27 No 1, Nocturne in C# minor
..
In bar 5 in GE (→FE→EE) the semiquaver in the figure See the chapter devoted to this topic in: Jan Ekier, Introduction to the National Edition, Editorial Issues. category imprint: Interpretations within context issues: GE revisions , Dotted rhythms and triplets |
|||||
|
b. 11
|
composition: Op. 27 No 1, Nocturne in C# minor
..
We supplement the digit "3" in the triplet. category imprint: Editorial revisions |
|||||
|
b. 15
|
composition: Op. 27 No 1, Nocturne in C# minor
..
We supplement the digit 3 in the triplet. category imprint: Editorial revisions |
|||||
|
b. 15-26
|
composition: Op. 27 No 1, Nocturne in C# minor
..
In bar 15 in GE (→FE→EE), the semiquaver in the figure category imprint: Interpretations within context issues: GE revisions , Dotted rhythms and triplets |
is moved to after the third note of the triplet in the accompaniment, similarly in bars 9, 11 & 13. This inauthentic notation, misleading for the performer, was used throughout the Nocturne – cf. bars 
