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Issues : GE revisions
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b. 51
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composition: Op. 27 No 1, Nocturne in C# minor
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In bar 51 of GE (→FE→EE) the semiquaver in category imprint: Interpretations within context issues: GE revisions , Dotted rhythms and triplets |
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b. 51
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composition: Op. 27 No 1, Nocturne in C# minor
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In GE (→FE) notes of the R.H. rhythm category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Dotted rhythms and triplets |
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b. 80-81
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composition: Op. 27 No 1, Nocturne in C# minor
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The sources have a double bar line before the change of key. However, we do not include it in our main text, as it is almost certainly an arbitrary addition of the engraver of GE (→FE→EE). category imprint: Interpretations within context; Differences between sources issues: GE revisions |
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b. 88
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composition: Op. 27 No 1, Nocturne in C# minor
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In bar 88 in GE (→FE→EE) the semiquaver in See bars 5-13. category imprint: Interpretations within context issues: GE revisions , Dotted rhythms and triplets |
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b. 89
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composition: Op. 27 No 1, Nocturne in C# minor
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We align the semiquaver on the 2nd beat of bar 89 with the last quaver of the L.H. sextuplet although in this particular context an exception to the general rule could be admitted. Only a discovery of additional sources—e.g. [A] or an annotated copy—could assist in establishing Chopin's intention more firmly. category imprint: Interpretations within context issues: GE revisions , Dotted rhythms and triplets |
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