Issues : EE revisions
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b. 23
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composition: Op. 27 No 1, Nocturne in C# minor
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EE is the only source in which the crescendo marking appears. It is certainly an arbitrary addition by analogy with bar 7. category imprint: Differences between sources issues: EE revisions |
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b. 24
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composition: Op. 27 No 1, Nocturne in C# minor
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The crescendo hairpin appears only in EE, modelled probably on the sign in analogous bar 91 although placed differently, i.e. below instead of above the upper staff. However, in the editors' opinion the analogy here fails to include dynamics, as Chopin probably wanted the dynamic line of the phrase in bars 90-93 to differ from that in bars 23-26 – in the Nocturne ending more emphasis is placed on the last bar, provided with additional accents and the indication con duolo. category imprint: Differences between sources issues: EE revisions |
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b. 25
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composition: Op. 27 No 1, Nocturne in C# minor
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Both dynamic markings added in EE1 (→EE2) and EE3 are definitely arbitrary additions introduced by the revisers of EE. A similar revision was introduced in bar 92. category imprint: Differences between sources issues: EE revisions |
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b. 25
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composition: Op. 27 No 1, Nocturne in C# minor
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We add a cautionary natural before e2. We also supplement that sign in EE. category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 27-28
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composition: Op. 27 No 1, Nocturne in C# minor
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In bars 27-28 in GE (→FE) the naturals lowering d category imprint: Differences between sources issues: EE revisions , Accidentals in different octaves , Errors in GE |
in 
1 to d1 are missing. It is almost certain that they also were absent from [A]. These obvious inaccuracies were corrected in