Issues : Dotted rhythms and triplets
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b. 88
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composition: Op. 27 No 1, Nocturne in C# minor
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In bar 88 in GE (→FE→EE) the semiquaver in was moved beyond the 3rd note of the triplet in the accompaniment. This inauthentic, misleading notation was used throughout the Nocturne. See bars 5-13. category imprint: Interpretations within context issues: GE revisions , Dotted rhythms and triplets |
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b. 89
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composition: Op. 27 No 1, Nocturne in C# minor
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We align the semiquaver on the 2nd beat of bar 89 with the last quaver of the L.H. sextuplet although in this particular context an exception to the general rule could be admitted. Only a discovery of additional sources—e.g. [A] or an annotated copy—could assist in establishing Chopin's intention more firmly. category imprint: Interpretations within context issues: GE revisions , Dotted rhythms and triplets |
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b. 89-97
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composition: Op. 27 No 1, Nocturne in C# minor
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In bars 89, 91-95 & 97 GE (→FE→EE) moved the semiquaver in beyond the 3rd note of the triplet in the accompaniment, contrary to Chopin's understanding of that figure. category imprint: Interpretations within context issues: GE revisions , Dotted rhythms and triplets |
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