



![]() |
No teaching fingering provided |
|
![]() |
||
![]() |
Fingering in FED |
|
![]() |
Both versions of teaching fingering |
The teaching copies contain two undoubtedly different fingerings for this fragment. One is taken from #WfJ and #WfS, the other is a combination of Chopin's annotations in #WfD in this bar and in bar 16 when this figuration is repeated. In the main text we juxtapose these partly alternative fingerings. Cf. fingering in Sonata in B minor Op. 35, 3rd mvt., bar 31.
Compare the passage in the sources »
category imprint: Differences between sources
issues: Annotations in teaching copies, Differences in fingering, Annotations in FES, Annotations in FEJ
notation: Fingering