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p. 3, b. 39-56
p. 1, b. 1-18
p. 2, b. 19-38
p. 3, b. 39-56
p. 4, b. 57-75
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GC - Gutmann's Copy
Afin - Autograph fragment of Finale
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
FE5 - Second French edition
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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GC - Gutmann's Copy
Afin - Autograph fragment of Finale
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
FE5 - Second French edition
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
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  b. 46

10 bars in GC (→GE) & FE1 (→FE2)

8 bars in EE, FE3 (→FE4) & FESch

Between bars 46 and 47, GC (→GE) and FE1 (→FE2) include another two bars, identical to bars 9-10. It is probably a result of a mistake at the time of performing an abbreviated marking of bar 39 and following with numerals as repetitions of the respective bars of the beginning – Chopin marked 10 bars in this way instead of eight. The composer removed the superfluous bars in the proofreading of FE3 and in the base text to EE, he also deleted them in FESch and two (according to Mikuli) pupil's copies, belonging to Fryderyka Streicher and Marcelina Czartoryska. 

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations

issues: Annotations in teaching copies, Errors of A, Authentic corrections of FE, Authentic corrections of EE, Changed phrase length, Annotations in FESch

notation: Pitch

Missing markers on sources: FE1, FE2, GC, FE3, FE4, FESch, FES, FED, GE1, GE2, EE1, EE2, FE5, Afin