Issues : EE revisions

b. 1

composition: Op. 35, Sonata in B♭ minor, Mvt IV

in GC (→GE) & EE2

No title in FE (→EE1)

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While writing to Fontana in August 1839, Chopin described this movement of the Sonata as "a short finale." The omission of the convention "Finale" title in FE (→EE1) seems to be, therefore, a common oversight.

category imprint: Differences between sources

issues: EE revisions , Inaccuracies in FE

b. 12

composition: Op. 35, Sonata in B♭ minor, Mvt IV

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In GC (→GE) and FE1 (→FE2EE1) there are no naturals raising the 10th quaver to d1(2), which in this context is a patent oversight. The sign in the R.H. was added in the proofreading of FE3 (→FE4,FE5), whereas in FE5 was added also in the L.H. A natural in the part of the R.H. is also in Afin, in which, due to the abbreviated way of notation of the L.H., it refers to both hands.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Inaccuracies in GE , Inaccuracies in FE , Omission of current key accidentals , Authentic corrections of FE , FE revisions , Inaccuracies in GC , Inaccuracies in A

b. 13-14

composition: Op. 35, Sonata in B♭ minor, Mvt IV

 from 2nd triplet in GC

No sign in FE (→EE1)

 from 1st triplet in GE & EE2

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The  sign was added in GC probably by Chopin. GE extended it, so it filled both bars, in this version it was added also in EE2.

category imprint: Differences between sources

issues: EE revisions , Inaccuracies in GE , Authentic corrections in GC

b. 35-37

composition: Op. 35, Sonata in B♭ minor, Mvt IV

g-g1 in GC (→GE) & FE (→EE1)

g-g1 suggested by the editors

g-g1 in EE2

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In the majority of the sources there are no accidentals before the 5th quaver in bars 35-36 and 3rd quaver in bar 37, which means that both these notes and their repetitions are to be interpreted as g-g1. The naturals added in EE2 are an arbitrary revision, probably aiming at bringing these bars – as far as the sound is concerned – to the F minor key and its dominant chords c-e-g-b and e-g-b-d.
In the main text, in bar 35 we add cautionary flats before these notes.

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: EE revisions

b. 35

composition: Op. 35, Sonata in B♭ minor, Mvt IV

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The cautionary flats before the 1st quaver (d1(2)) were added in GE and EE2. In the main text we add flats also before the 3rd quaver b(1).

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions