mUltimate Chopin

Op. 64 No 2, Waltz in C♯ minor

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Page: 
Source: 
p. 1, b. 1-32
p. 1, b. 1-32
p. 2, b. 33-64
p. 3, b. 65-96
p. 4, b. 97-128
p. 5, b. 129-160
p. 6, b. 161-192
Main text
Main text
As - Autograph sketch
AI - Autograph Rothschild
A - Autograph
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
GE - German Edition
GE1op - First German edition of Op. 64
GE1no2 - First German edition of Waltz No 2
GE2op - Second German edition of Op. 64
GE2no2 - Second German edition of Waltz No 2
GE3op - Corrected impression of GE2op
EE - English Edition
EEC - Earliest English edition
EEW1 - First English edition
EEW2 - Revised impression of EEW1
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Notation
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Rhythm
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Articulation, Accents, Hairpins
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Pedalling
Fingering
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Differences
No differences
As - Autograph sketch
AI - Autograph Rothschild
A - Autograph
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
GE - German Edition
GE1op - First German edition of Op. 64
GE1no2 - First German edition of Waltz No 2
GE2op - Second German edition of Op. 64
GE2no2 - Second German edition of Waltz No 2
GE3op - Corrected impression of GE2op
EE - English Edition
EEC - Earliest English edition
EEW1 - First English edition
EEW2 - Revised impression of EEW1
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  b. 30

a1-e1 in As

g1-f1 in AI & A (→FE→GE,EE)

In the original version, written in As, the melodic line develops using the scheme of repeated notes, initiated in bar 10. In the final version, Chopin shaped the melody differently, referring to the scheme only in bar 31.

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations

issues:

notation: Pitch

Missing markers on sources: A, As, AI, FE1, FED, FES, GE1op, GE2op, GE1no2, EEC, EEW1, EEW2, GE2no2, GE3op
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