Page: 
Source: 
p. 1, b. 1-32
p. 1, b. 1-32
p. 2, b. 33-64
p. 3, b. 65-96
p. 4, b. 97-128
p. 5, b. 129-160
p. 6, b. 161-192
Main text
Main text
As - Autograph sketch
AI - Autograph Rothschild
A - Autograph
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
GE - German Edition
GE1op - First German edition of Op. 64
GE1no2 - First German edition of Waltz No 2
GE2op - Second German edition of Op. 64
GE2no2 - Second German edition of Waltz No 2
GE3op - Corrected impression of GE2op
EE - English Edition
EEC - Earliest English edition
EEW1 - First English edition
EEW2 - Revised impression of EEW1
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
As - Autograph sketch
AI - Autograph Rothschild
A - Autograph
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
GE - German Edition
GE1op - First German edition of Op. 64
GE1no2 - First German edition of Waltz No 2
GE2op - Second German edition of Op. 64
GE2no2 - Second German edition of Waltz No 2
GE3op - Corrected impression of GE2op
EE - English Edition
EEC - Earliest English edition
EEW1 - First English edition
EEW2 - Revised impression of EEW1
Importance
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Important
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  b. 4-20

e1 & c1 in As, 1. version

f1 & c1 in AI

f1 & d1 in As, 2. version
or
f1 & d1 in A (→FEGE,EE)

As includes two written versions of bar 4 – in the main course of the text it features the version with e1 as the bottom note of all dyads in the R.H. and the g-cfourth as the 2nd crotchet in the L.H. and above one can see the version with fand the g-dfifth. Bar 20 is not written out in As, hence it is meant to be the same as bar 4. We adopt the first, undoubtedly earlier, version to be the text of As, since the second became the final one (not including the rhythm). It cannot be excluded that the second version was added not in the first phase of writing the Waltz, yet later, even after having written AI, in which the part of the L.H. still conserved its original shape (the g-cfourth), whereas in the part of the R.H. in bar 4 one can see a correction from the original version.  

Compare the passage in the sources »

category imprint: Differences between sources; Corrections & alterations

issues: Corrections of AI

notation: Pitch

Missing markers on sources: A, As, AI, FE1, FED, FES, GE1op, GE2op, GE1no2, EEC, EEW1, EEW2, GE2no2, GE3op