mUltimate Chopin

Op. 64 No 2, Waltz in C♯ minor

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Page: 
Source: 
p. 1, b. 1-32
p. 1, b. 1-32
p. 2, b. 33-64
p. 3, b. 65-96
p. 4, b. 97-128
p. 5, b. 129-160
p. 6, b. 161-192
Main text
Main text
As - Autograph sketch
AI - Autograph Rothschild
A - Autograph
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
GE - German Edition
GE1op - First German edition of Op. 64
GE1no2 - First German edition of Waltz No 2
GE2op - Second German edition of Op. 64
GE2no2 - Second German edition of Waltz No 2
GE3op - Corrected impression of GE2op
EE - English Edition
EEC - Earliest English edition
EEW1 - First English edition
EEW2 - Revised impression of EEW1
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As - Autograph sketch
AI - Autograph Rothschild
A - Autograph
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
GE - German Edition
GE1op - First German edition of Op. 64
GE1no2 - First German edition of Waltz No 2
GE2op - Second German edition of Op. 64
GE2no2 - Second German edition of Waltz No 2
GE3op - Corrected impression of GE2op
EE - English Edition
EEC - Earliest English edition
EEW1 - First English edition
EEW2 - Revised impression of EEW1
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  b. 27-28

c2 repeated in As & A (→FE→EE,GE1no2,GE1op→GE2op→GE3op)

c2 tied in AI, FED & GE2no2

The sources illustrate here Chopin's hesitation – c2 is repeated in As and A (→FE→EE,GE; except for GE2no2), yet it is sustained in AI and FED. In the main text, we give the version of the base source, i.e. A, particularly considering the fact that in the autograph Chopin most probably deleted the tie sustaining this note. Cf. also bars 29-30.

Compare the passage in the sources »

category imprint: Differences between sources; Corrections & alterations

issues: Annotations in teaching copies, Annotations in FED, Corrections in A, Chopin's hesitations

notation: Rhythm

Missing markers on sources: A, As, AI, FE1, FED, FES, GE1op, GE2op, GE1no2, EEC, EEW1, EEW2, GE2no2, GE3op
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