Page: 
Source: 
p. 3, b. 65-96
p. 1, b. 1-32
p. 2, b. 33-64
p. 3, b. 65-96
p. 4, b. 97-128
p. 5, b. 129-160
p. 6, b. 161-192
Main text
Main text
As - Autograph sketch
AI - Autograph Rothschild
A - Autograph
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
GE - German Edition
GE1op - First German edition of Op. 64
GE1no2 - First German edition of Waltz No 2
GE2op - Second German edition of Op. 64
GE2no2 - Second German edition of Waltz No 2
GE3op - Corrected impression of GE2op
EE - English Edition
EEC - Earliest English edition
EEW1 - First English edition
EEW2 - Revised impression of EEW1
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Graphic ambiguousness
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Articulation, Accents, Hairpins
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As - Autograph sketch
AI - Autograph Rothschild
A - Autograph
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
GE - German Edition
GE1op - First German edition of Op. 64
GE1no2 - First German edition of Waltz No 2
GE2op - Second German edition of Op. 64
GE2no2 - Second German edition of Waltz No 2
GE3op - Corrected impression of GE2op
EE - English Edition
EEC - Earliest English edition
EEW1 - First English edition
EEW2 - Revised impression of EEW1
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  b. 67

e2-d2 w As (1. version) & A (→FEGE,EE)

e2-d2-c2 in As (2nd version→AI)

The version of AI is naturally earlier than the published version; however, the notation of As, in which both versions most probably overlap, suggests that it is the version of A that was created first. It results from the space between the notes – e2 and d2 fill the bar to the same extent as f2 and e2 in the previous bar. Then, willing to introduce a progression of three crotchets, Chopin simply added a c2. The corrections visible in the next two bars reveal also other changes in the second half of this phrase; therefore, it is likely that the continuation of the two-note version of this bar in As was different than in the final version (cf. the reconstruction of the earliest version of the melody in the note to bar 69). A correction in this place is visible also in A – the interpretation of the crossed-out text is actually impossible, but the range of the crossing-out suggests that two crotchets were removed, hence most probably the version of AI.  

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations

issues: Chopin's hesitations, Deletions in A, Main-line changes

notation: Pitch

Missing markers on sources: A, As, AI, FE1, FED, FES, GE1op, GE2op, GE1no2, EEC, EEW1, EEW2, GE2no2, GE3op