mUltimate Chopin

Op. 64 No 2, Waltz in C♯ minor

Text Compare Notes Sources Description
Page: 
Source: 
p. 6, b. 129-160
p. 1
p. 2, b. 1-31
p. 3, b. 32-62
p. 4, b. 63-96
p. 5, b. 97-128
p. 6, b. 129-160
p. 7, b. 161-192
GE1op - First German edition of Op. 64
Main text
As - Autograph sketch
AI - Autograph Rothschild
A - Autograph
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
GE - German Edition
GE1op - First German edition of Op. 64
GE1no2 - First German edition of Waltz No 2
GE2op - Second German edition of Op. 64
GE2no2 - Second German edition of Waltz No 2
GE3op - Corrected impression of GE2op
EE - English Edition
EEC - Earliest English edition
EEW1 - First English edition
EEW2 - Revised impression of EEW1
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
As - Autograph sketch
AI - Autograph Rothschild
A - Autograph
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
GE - German Edition
GE1op - First German edition of Op. 64
GE1no2 - First German edition of Waltz No 2
GE2op - Second German edition of Op. 64
GE2no2 - Second German edition of Waltz No 2
GE3op - Corrected impression of GE2op
EE - English Edition
EEC - Earliest English edition
EEW1 - First English edition
EEW2 - Revised impression of EEW1
Importance
All
Important
Main
Undo Clear
Prezentacja
Select 
copy link PDF GE1op - First German edition of Op. 64

Original in: The Fryderyk Chopin Institute Library, Warsaw


  b. 159-160

No g1 in A & GE

g1 in FE (→EE)

The g1 crotchet, struck in bar 159 and sustained as a minim in bar 160, was added by Chopin in the last proofreading of FE (→EE). This kind of diversification of subsequent appearances of repeating musical ideas belonged to Chopin's favourite composer tricks.
The proofreading also embraced a change of the graphic layout of the text – the 3rd quaver in the R.H. was moved to the upper stave.

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE

notation: Pitch

Missing markers on sources: A, As, AI, FE1, FED, FES, GE1op, GE2op, GE1no2, EEC, EEW1, EEW2, GE2no2, GE3op
Complete ➔