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Issues : Omission of current key accidentals
b. 2
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composition: Op. 64 No 2, Waltz in C♯ minor
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In the previous autographs, Chopin tried varied versions of chords in this bar. Eventually, he used the original version only (with an a category imprint: Differences between sources; Corrections & alterations |
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b. 18
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composition: Op. 64 No 2, Waltz in C♯ minor
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Same as in bar 2, in the previous manuscripts there is no category imprint: Differences between sources; Corrections & alterations issues: Chopin's hesitations , Omission of current key accidentals |
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b. 45-61
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composition: Op. 64 No 2, Waltz in C♯ minor
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The crotchet specifying the sound of the Neapolitan chord in bars 45 and 61 underwent a several-stage-long evolution from As to the corrected version of FE (→EE). Both the content of the chord (dyad) and the moment of its strike was changed. In the main text, we give the latest version, introduced in the last phase of proofreading of FE. The version of As is not unequivocal – we assume that there is no f
The naturals lowering d Similarly in bars 109 and 125, see also bars 173 and 189. category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Omission of current key accidentals , Authentic corrections of FE , Last key signature sign , Inaccuracies in A |
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b. 45-62
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composition: Op. 64 No 2, Waltz in C♯ minor
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In As there are no naturals before d2, g2 and d3 in bars 45-46. In spite of the fact that in the L.H. there is no
Similarly in bars 61-62, being in As a repetition, not written out, of bars 45-46. category imprint: Interpretations within context; Differences between sources issues: Omission of current key accidentals , Last key signature sign |
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b. 79-80
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composition: Op. 64 No 2, Waltz in C♯ minor
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There is no category imprint: Interpretations within context; Differences between sources issues: GE revisions , Omission of current key accidentals , Inaccuracies in A |