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Issues : Main-line changes
b. 38-54
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composition: Op. 64 No 2, Waltz in C♯ minor
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The ending of bar 38 has two versions in As, out of which the second – differently than in the next bars – became the final version. Similarly in bar 54, which is not written out in As. category imprint: Differences between sources; Corrections & alterations issues: Main-line changes |
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b. 39-56
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composition: Op. 64 No 2, Waltz in C♯ minor
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In As the melodic line in bars 39-40 was written in two versions (cf. bar 38). We adopt the version written earlier as the text of the draft, which clearly differs from the final version. The same applies to bars 55-56, not written in As. category imprint: Differences between sources; Corrections & alterations issues: Main-line changes |
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b. 40-56
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composition: Op. 64 No 2, Waltz in C♯ minor
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On the last quaver of bars 40 and 56, both f The version of EEC is certainly erroneous. category imprint: Differences between sources; Editorial revisions; Corrections & alterations issues: Accidentals in different octaves , Chopin's hesitations , Main-line changes |
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b. 64
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composition: Op. 64 No 2, Waltz in C♯ minor
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In As and AI, the last crotchet in bar 64 is an a category imprint: Differences between sources; Editorial revisions; Corrections & alterations issues: Enharmonic corrections , Main-line changes |
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b. 67
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composition: Op. 64 No 2, Waltz in C♯ minor
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The version of AI is naturally earlier than the published version; however, the notation of As, in which both versions most probably overlap, suggests that it is the version of A that was created first. It results from the space between the notes – e category imprint: Differences between sources; Corrections & alterations issues: Chopin's hesitations , Deletions in A , Main-line changes |