Issues : Authentic corrections of GE

b. 66-71

composition: Op. 64 No 2, Waltz in C♯ minor

Repeated notes in As, AI & A (→FEEE)

Tied notes in GE & FED

..

Both source versions of the melody at the transition between bars 66 and 67 and 70 and 71 are almost certainly authentic. In the main text, we give an unequivocally authentic version with repeated e2 and fnotes written in the base source, A (→FEEE). The version with sustained notes – FED and GE – can be considered an equal variant.

category imprint: Differences between sources; Corrections & alterations

issues: Annotations in teaching copies , Annotations in FED , GE revisions , Authentic corrections of GE

b. 75-76

composition: Op. 64 No 2, Waltz in C♯ minor

d3 repeated in As, AI & A (→FEEEC,EEW1)

d3 tied in GE & EEW2

..

The authenticity of the tie sustaining d3 in GE is likely, yet not unequivocal. Due to this fact, in the main text we give the version with a repeated note, which does not raise any doubts. Moreover, one has to take into consideration that the version with the sustained dappears only in the sources that have the previous version of the accompaniment, which makes that, according to us, its possible use together with the final version of the L.H. is highly problematic. Similarly in bars 91-92.  

category imprint: Differences between sources

issues: EE revisions , GE revisions , Authentic corrections of GE

b. 76-77

composition: Op. 64 No 2, Waltz in C♯ minor

d3 repeated in As, AI & A (→FEEE)

d3 tied in GE & FED

..

Same as in bars 66-67 and 70-71, both source versions of the melody at the transition between the bars are almost certainly authentic. In the main text, we give a version with a repeated d3, written in the basic source, A (→FEEE). Similarly in bars 92-93.
GE1no2 erroneously puts the tie between the two notes in bar 76 (a "mirror" mistake).

category imprint: Differences between sources; Corrections & alterations

issues: Annotations in teaching copies , Annotations in FED , Errors in GE , GE revisions , Sign reversal , Authentic corrections of GE

b. 91-92

composition: Op. 64 No 2, Waltz in C♯ minor

d3 repeated in As, AI & A (→FEEEC,EEW1)

d3 tied in GE & EEW2

category imprint: Differences between sources; Corrections & alterations

issues: EE revisions , GE revisions , Authentic corrections of GE

b. 92-93

composition: Op. 64 No 2, Waltz in C♯ minor

d3 repeated in As, AI & A (→FEEE)

d3 tied in GE & FED

..

Both source versions of the melody at the transition between the bars are almost certainly authentic. In the main text, we give the version with the repetition of the d3, written in the base source, A (→FEEE).

category imprint: Differences between sources; Corrections & alterations

issues: Annotations in teaching copies , Annotations in FED , Authentic corrections of GE