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Issues : Authentic corrections of FE
b. 1-2
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composition: Op. 64 No 2, Waltz in C♯ minor
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Shifting the category imprint: Differences between sources issues: Inaccuracies in FE , Scope of dynamic hairpins , GE revisions , Authentic corrections of FE |
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b. 5-22
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composition: Op. 64 No 2, Waltz in C♯ minor
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Both slurs over the pair of minims in bars 5-6 and 21-22 in A are clearly longer than in bars 1-2 and 17-18. Similarly in AI (only in bars 5-6, since Chopin overlooked the slur for the second time), hence these are the slurs we give in the main text. Double slurs in FE are probably a result of Chopin's proofreading – initially, the engraver of FE combined with a slur only the bottom notes of the sixths, which led the composer to add upper slurs (the original state was preserved in the majority of GE). According to us, the correction is occasional and it rather confirms the importance of a slur over the notes than proves a change of the slurring concept. Similarly in bars 133-134 and 149-150. category imprint: Differences between sources issues: Placement of markings , GE revisions , Authentic corrections of FE |
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b. 8-25
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composition: Op. 64 No 2, Waltz in C♯ minor
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It is not easy to evaluate how the difference between the slurring of sources in bars 8-9 (and similarly in bars 24-25) occurred. A includes two slurs in both places, although for the first time, when bar 8 appears at the end of the text's line, one could consider the slur in bar 9 to be a continuation of the previous. One-bar slurs are also in AI (except for bar 9, devoid of a slur). In this situation, one has to assume that the slurs of FE (→EE,GE1op,GE1no2→#GE2op2), combined in both places, could have been a result of Chopin's intervention. However, without being sure in this respect, in the main text we give the slurring of A, confirmed by AI. The version of FE, with a phrasing combining structural divisions (cf., e.g., the Waltz in A category imprint: Differences between sources issues: Inaccuracies in FE , GE revisions , Authentic corrections of FE |
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b. 8-24
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composition: Op. 64 No 2, Waltz in C♯ minor
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In bars 8 and 24 there are no accidentals in the part of the L.H. in the autographs. In bar 8 FE added – perhaps at Chopin's request – a cautionary category imprint: Differences between sources; Editorial revisions; Corrections & alterations issues: EE revisions , GE revisions , Authentic corrections of FE |
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b. 15
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composition: Op. 64 No 2, Waltz in C♯ minor
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The absence of the category imprint: Interpretations within context; Differences between sources; Corrections & alterations |