Issues : Annotations in FES
b. 26-30
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composition: Op. 64 No 2, Waltz in C♯ minor
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In the main text we give Chopin fingering, written in FES in bars 154-158 (cf. General Editorial Principles, p. 17). category imprint: Differences between sources |
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b. 71-72
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composition: Op. 64 No 2, Waltz in C♯ minor
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The sources give no clear idea as regards sustaining or repeating the fifth c1-g1 in the L.H. In As and AI, both here and in the analogous bars 87-88 it is repeated at the beginning of the second bar. In A (→FE→GE1no2,EE) only a tie sustaining c1 is written what seems to be an oversight – in FES Chopin pencilled a tie to g1 as well. In GE1op (→GE2op→GE3op) both ties were omitted, maybe after the analogous bars 87-88. GE2no2 includes the version adopted in our main text. category imprint: Differences between sources issues: Annotations in teaching copies , Errors in GE , GE revisions , Annotations in FES |
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b. 77-78
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composition: Op. 64 No 2, Waltz in C♯ minor
category imprint: Differences between sources |
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b. 92-93
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composition: Op. 64 No 2, Waltz in C♯ minor
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Two slurs, written in pencil, probably by Chopin, indicate natural positions of the hand. The slurs only make sense with the final version of the L.H. part – see neighbouring note. category imprint: Differences between sources |
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b. 154-158
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composition: Op. 64 No 2, Waltz in C♯ minor
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The five-time use of the 1st finger, marked in FES certainly on the basis of Chopin's hint, is included by us in the main text in bars 26-30 (cf. General Editorial Principles, p. 17). category imprint: Differences between sources |