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Issues : GE revisions
b. 12-13
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composition: Op. 64 No 2, Waltz in C♯ minor
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On the available photocopy of A, the slur in bar 12 starts from the 3rd quaver. We shift the beginning one quaver earlier, analogously to bar 10. In FE (→EE,GE1op,GE1no2) the slur starts – undoubtedly erroneously – only in bar 13, however in bar 140, based on the notation of bar 12 in A, the slur of FE begins exactly on the 2nd quaver of the bar, which supports the solution we adopted. In later GE, the starting point of the slur was moved to the beginning of bar 12, most probably by analogy to the notation of bars 140-141 in GE. category imprint: Differences between sources issues: Errors in FE , GE revisions |
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b. 13
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composition: Op. 64 No 2, Waltz in C♯ minor
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The range of the category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in FE , Scope of dynamic hairpins , GE revisions , EE inaccuracies , Inaccuracies in A |
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b. 17-18
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composition: Op. 64 No 2, Waltz in C♯ minor
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The category imprint: Differences between sources issues: Scope of dynamic hairpins , GE revisions |
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b. 20
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composition: Op. 64 No 2, Waltz in C♯ minor
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No pedalling indications in this bar is most probably a result of revision of GE2op (→GE3op), aiming at unifying bar 4 and 20. As far as the placement of the category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , GE revisions |
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b. 21-22
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composition: Op. 64 No 2, Waltz in C♯ minor
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The category imprint: Differences between sources issues: Inaccuracies in FE , Scope of dynamic hairpins , GE revisions , EE inaccuracies |