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Op. 64 No 2, Waltz in C♯ minor

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Pedalling

b. 22

composition: Op. 64 No 2, Waltz in C♯ minor

Pedalling in A & GE2no2

No pedalling in FE (→EE,GE1no2,GE1op→GE2op→GE3op)
..

No pedalling in the editions – the indications were added only in GE2no2 – is almost certainly a mistake of the engraver of FE. Similarly in bar 30.

category imprint: Differences between sources

issues: Errors in FE , GE revisions

b. 24

composition: Op. 64 No 2, Waltz in C♯ minor

..

The  sign was overlooked in EEW1, which is certainly an error. The sign was added in EEW2.

category imprint: Differences between sources

issues: EE revisions , Errors in EE

b. 29

composition: Op. 64 No 2, Waltz in C♯ minor

 before 3rd beat in A

 after 3rd beat in FE (→GE1no2) & GE2op (→GE3op)

 on 3rd beat in GE1op, EE & GE2no2
..

In FE and in a part of the remaining editions, the  sign was placed same as in the remaining bars, after the 3rd crotchet. The fact of moving the sign under the crotchet may be considered to be a revision or inaccuracy of GE1op, EE and GE2no2. Similarly in bar 31.

category imprint: Differences between sources

issues: EE revisions , Inaccuracies in GE , Inaccuracies in FE , GE revisions , EE inaccuracies

b. 30

composition: Op. 64 No 2, Waltz in C♯ minor

Pedal in A

No pedal in FE (→GE,EE)
..

Same as in bar 22, the absence of pedalling in the editions is almost certainly a mistake of the engraver of FE.

category imprint: Differences between sources

issues: Errors in FE

b. 31

composition: Op. 64 No 2, Waltz in C♯ minor

 before 3rd beat in A

 after 3rd beat in FE (→EEC,GE1no2,GE1op→GE2op→GE3op)

 on 3rd beat in EEW1 (→EEW2) & GE2no2
..

Same as in bar 29, the  sign, misplaced in FE under the last quaver, was moved in EEW1 (→EEW2) and GE2no2 under the 3rd beat of the bar.

category imprint: Differences between sources

issues: EE revisions , Inaccuracies in FE , GE revisions