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b. 48
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composition: Op. 64 No 2, Waltz in C♯ minor
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After the 2nd beat of the bar, AI has a repetition sign, ending the repeated, 16-bar section started on the 3rd beat of bar 32. In order to preserve the parallelism of the notation with the main text based on A (→FE→GE,EE), we write out the marked repetition with notes (the original notation is available in the version "transcription"). We apply a similar procedure in the case of As, although in the draft the repetition of bars 33-48 is not marked in any generally adopted way. In this respect, the double bar line after bar 48 can be considered a hint, although it can also be a signal to change the key (which is not marked as well). The imposing symmetry in the proportions of the particular sections of the Waltz can also be considered an argument – two similarly built 32-bar sections, the initial C
category imprint: Differences between sources |
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b. 48-64
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composition: Op. 64 No 2, Waltz in C♯ minor
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The staccato dot in bars 48 and 64 was written by Chopin only in the version prepared for publication – A (→FE→GE,EE). category imprint: Differences between sources |
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b. 48
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composition: Op. 64 No 2, Waltz in C♯ minor
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The sound of the 2nd crotchet in As is not certain. We assume that it is a g category imprint: Graphic ambiguousness; Differences between sources issues: Uncertain notes on ledger lines |
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b. 49
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composition: Op. 64 No 2, Waltz in C♯ minor
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category imprint: Differences between sources; Corrections & alterations |
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b. 49
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composition: Op. 64 No 2, Waltz in C♯ minor
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In FE (→GE1op,GE1no2,EEC,EEW1) there are no pedalling indications in this bar, which is almost certainly an oversight. The signs were added in later editions on the basis of a patent analogy. category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions |
minor and più lento D
major find a natural addition in the separating them section, being also 32-bar long.
appears in 
