mUltimate Chopin

Op. 64 No 2, Waltz in C♯ minor

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Pitch

b. 112

composition: Op. 64 No 2, Waltz in C♯ minor

Triad in As

Sixth in AI & A (→FE→GE,EE)
..

The g-c1-e1 triad in As is a possible interpretation of the 2nd crotchet in bar 48, of which bar 112 is a repetition (default).

category imprint: Differences between sources

b. 114-122

composition: Op. 64 No 2, Waltz in C♯ minor

Triads in As

Triads & sixths in AI

Sixths in A (→FE→GE,EE)
..

The issue of presence of the c1 notes in the 2nd and 3rd crotchets in bars 114 and 122 – see bars 50-58. 

category imprint: Differences between sources; Corrections & alterations

b. 117

composition: Op. 64 No 2, Waltz in C♯ minor

Rest in As & AI

Fifth in A (→FE→GE,EE)
..

category imprint: Differences between sources

b. 128

composition: Op. 64 No 2, Waltz in C♯ minor

Sixth in A (→FE→EE,GE1no2,GE1op→GE2op→GE3op)

Triad in GE2no2
..

The c1 note, added to the authentic sixth on the 2nd beat of the bar, is an arbitrary addition of GE2no2, aiming at unifying this place with bar 64.
In As the bar is not written out, so we assume that it includes a triad, same as bar 48 and its remaining default repetitions.

category imprint: Differences between sources

issues: GE revisions

b. 131-147

composition: Op. 64 No 2, Waltz in C♯ minor

..

In the main text we add a cautionary  before f1 in bars 131 and 147. The signs were added already in #GE3no2 and GE3op.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions